【Wim Vandekeybus; What The Body Does Not Remember】

Belgian chreographer Wim Vandekeybus’ 【What The Body Does Not Remember】was in Taipei in the begining of June this year.

He had really pushed the envelope. The dancers were running to their limit on the stage. The male dancers were pulling the female dancers all over the place so harshly that it seemed almost like they were abusing  them to the audience. Was it an implication of the present day (or the late 80’s, when the performance made its debut) male/female relationships?

(Picture source: http://playwritinginthecity.com/2013/03/27/revisiting-what-the-body-does-not-remember/)

The most memorable moment to me was when one of the dancers threw the white brick high in the sky, straight above his/her head without even moving. They would have to give their partners a good deal of trust to wait until they push him/her and catch the brick for him/her. Wim Vandekeybus had created so much of a tension that made all the audience held their breath !

Wim Vandekeybus built a great energy on the stage and had asked everyone this question ; what will you do when you have no choice ? How hard will you fight against a threat ? How do we runaway  from our fate?

【電影；國片】天台

（圖片來源：http://www.nownews.com/2013/05/21/38-2941058.htm）

       我想，有很多男孩，都想拍一部電影，把自己拍成裡面的
英雄主角，犧牲自己只為成全美人。李心艾還真美。天臺的
場景跟戲服也都很講究；故事彷彿發生在台灣一個似曾相識的
美麗角落，可是沒有人認得出來是哪裡。

       如果延續劇初歌舞風格，也許足以成為一部溫馨小品。
而周董的音樂造詣真是了得。 只是，角色們沒有甚麼深度。
從紅毛抓狂痛下犯行、到突兀的飛車追逐，再到劇終周杰倫
的「圓夢」，情節荒謬不合理，與前段不搭軋不說，
似乎只是為了脫離淪為單調情愛文藝片而做的失敗努力。 

      李心艾的配音很奇妙；然後不知道是周董很挺朋友，
還是朋友們都很挺周董? 只能說， 亮出周董的招牌，讓工作團隊、
同劇演員，和未來讓票房拉長紅的支持觀眾， 大家都買帳。